Erich Heckel - Meer am Abend (Sea in the evening), 1959

Tempera on canvas

70 x 87 cm / framed 84 x 100 cm
27 x 34 inch / framed 33 x 39 inch

signed and dated lower right: Heckel 59
signed, titled and dated on the reverse of the stretcher: "Heckel: ""Meer am Abend 1959""
signed and dated on the reverse of the canvas at the top right: "Heckel 1959"

- with handmade craftman's frame -

N 9575

Provenance:

Estate of Erich Heckel, Hemmenhofen

Literature:

Moeller, Magdalena M. (ed.), Erich Heckel, Der stille Expressionist, Aquarelle als Vorstudien zu Gemälden, Hirmer Verlag, Munich, 2009, page 25, colour illustration number 14

Catalogue raisonné:

Paul Vogt, Erich Heckel, Verlag Aurel Bongers, Recklinghausen, 1965, catalogue raisonné number 1959/3 with illustration
Andreas Hüneke, Erich Heckel, Werkverzeichnis der Gemälde, Wandbilder und Skulpturen, volume II, Hirmer Verlag, 2017, catalogue raisonné number 1959-3 with colour illustration on page 387

Exhibitions:

Baden-Baden, Künstlerbund Baden-Württemberg, 8th state art exhibition (with label, 1962)

Group exhibition: Nuremberg, Fränkische Galerie and Pforzheim, Kunst- und Gerwerbeverein, Erich Heckel, 1964

Group exhibition: Bonn, Strasbourg, Stuttgart, Kunstverein, Künstlerbund Baden-Württemberg, 25th annual exhibition, 1979

Group exhibition: Schleswig, Schleswig-Holstein State Museums Foundation Schloss Gottorf 2010 and Berlin, Brücke-Museum 2010/11, Erich Heckel, Aufbruch und Tradition, Eine Retrospektive, catalogue no. 119 with colour illustration*

Essen, Galerie Neher, ERICH HECKEL - Expression und Empfindung, 2010, catalogue page 18 with colour illustration, page 19

About the work

Erich Heckel spent the change of the year 1953/54 on Sylt. Obviously deeply impressed by the island, its beaches and the sea, he once again returned years later to a watercolour completed there as inspiration for a new painting. Meer am Abend originated in 1959 and expresses the fascination of the artist with the expanse of the majestic maritime landscape. The beach is deserted, and while the sea is gradually retreating at ebb tide, tidal pools and rivulets of the water flowing away can be seen. The nearly cloudless sky arches steel-blue over the landscape, while the water at the same time takes on a reddish colouring in the light of the setting sun.

It is not only the moody atmosphere, saturated with colour, of a day at the seaside coming to an end, but especially the sparing composition and simplified, virtually ornamental language of form that defines the quality of this painting. Heckel’s sensitive powers of observation and his radical painterly reduction combine to form a work of quiet, contemplative impression, which invites the viewer to meditative immersion.

The painting decorated the reception area of the Heckel house in Hemmenhofen for many years and could be seen in 2010 in the Heckel retrospective of the Brücke Museum in Berlin.

Text authored and provided by Dr. Doris Hansmann, Art historian

Studies of art history, theater, film and television, English and Romance Languages at the University of Cologne, doctorated in 1994. Research assistant at the Art Museum Düsseldorf. Lecturer and project manager at Wienand Verlag, Cologne. Freelance work as an author, editor and book producer for publishers and museums in Germany and abroad. From 2011 chief editor at Wienand Verlag, from 2019 to 2021 senior editor at DCV, Dr. Cantz’sche Verlagsgesellschaft, Berlin. Numerous publications on the art of the 20th and 21st centuries.

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Erich Heckel, Sea in the evening, 1959, 70 x 87 cm / framed 84 x 100 cm, N 9575
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