Bernard Schultze - Auf und Nieder, 2002
Oil on canvas
100 x 80 cm / framed 105 x 85 cm
39 x 31 inch / framed 41 x 33 inch
monogrammed, dated: "BS 2002"
signed, dated, titled on the back of the canvas: “Bernard Schultze 2002 Auf und Nieder”
N 9483
Provenance:
Nachlass des Künstlers
Catalogue raisonné:
Stephan Diederich/Barbara Herrmann, Bernard Schultze, Band III, Verzeichnis der Werke Nr. 02/5, Museum Ludwig, Köln Hirmer Verlag (ohne Abbildung)
Bernard Schultze - Auf und Nieder, 2002
Oil on canvas
100 x 80 cm / framed 105 x 85 cm
39 x 31 inch / framed 41 x 33 inch
monogrammed, dated: "BS 2002"
signed, dated, titled on the back of the canvas: “Bernard Schultze 2002 Auf und Nieder”
N 9483
Provenance:
Nachlass des Künstlers
Catalogue raisonné:
Stephan Diederich/Barbara Herrmann, Bernard Schultze, Band III, Verzeichnis der Werke Nr. 02/5, Museum Ludwig, Köln Hirmer Verlag (ohne Abbildung)
About the work
Edouard Beaucamp once described Bernard Schultze’s artistic work as a "labyrinthine system of drawn and painted interior monologues and dreams”. One could hardly describe this unique, incomparable oeuvre, which took its starting point in Surrealism and repeatedly manifested itself over time in proliferous thicket of vegetable forms, in colourful weaves and branchings, in various metamorphoses, more accurately.
As also in this painting from 2002 with the title Auf und Nieder [Up and Down]. Rivulets gush from above over the pictorial area, while colourful vapours appear to rise into the air from the bottom left corner. Everything here is in a state of constant transformation, can already have changed in the next moment; not only the colourful action at the centre of the painting, but also the cloudy, yellowish-greenly illuminated background.
Looking back at several decades of his work, Bernard Schultze wrote in 1993: "Everything relating to internal readiness, to plans, forms according to Breton’s famous sentence: ‘under the dictates of the unconscious’. Each time, full of a spirit of adventure, I begin somewhere on the empty, brilliant white canvas. Perhaps it will be an island of flowers, to then flow into the branches of my ‘interior landscape'.”
Text authored and provided by Dr. Doris Hansmann, Art historian
Studies of art history, theater, film and television, English and Romance Languages at the University of Cologne, doctorated in 1994. Research assistant at the Art Museum Düsseldorf. Lecturer and project manager at Wienand Verlag, Cologne. Freelance work as an author, editor and book producer for publishers and museums in Germany and abroad. From 2011 chief editor at Wienand Verlag, from 2019 to 2021 senior editor at DCV, Dr. Cantz’sche Verlagsgesellschaft, Berlin. Numerous publications on the art of the 20th and 21st centuries.